Professional video Ikegami camera, pro equipment camcorders
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Broadcast Newsroom NABSplash, broadcastnewsroom.com
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Exporting a Media Composer edit to Soundtrack Pro For the second of my three part article series, I will look at the second most important part of your edit, and that is the sound mix. In many cases, the sound mix can make or break your show. Avid has always been the leader when it comes to taking an edit from the Media Composer (MC), and sending it via OMF to ProTools for a mix, and then sending it back to MC for the final output. Kevin McAuliffe |
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Avid Media Composer 3.0 Nothing gets me more excited than sitting down in front of a new editing application, or one that has recently been updated. As I have said in previous articles, no one makes a better editing application than Avid, and it is back with its new line of post production products, and leading the way is Media Composer version 3.0. Why should everyone care about this? Keep reading, and you'll find out! Kevin McAuliffe |
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Imarion Adopts Autodesk Smoke and Autodesk Lustre to Meet Growing Client Demands Alex Olegnowicz founded Imarion (pronounced EE-mary-on) in 1995 on what he now refers to as low-end systems such as Adobe Premiere and Avid Xpress NT software. If the systems were low-end, however, the work Imarion produced was not. Successful projects enabled Olegnowicz to upgrade his systems and, by 1998, to add online editing to Imarions services. In 2003, Imarion added two Autodesk Smoke software system to its technology arsenal and, just last year, it brought in an Autodesk Lustre software systems to provide top-quality color correction and DI. None |
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NAB 2008: GridIron Shows Flow GridIron, a relatively small company showed up with a massive booth for a massively comprehensive management solution. GridIron, previously known for its memory and processor management application: NucleoPro now offers to help us with our file management as well. Ko Maruyama |
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Cleveland Clinic Foundation At NAB, it's easy to find sales people and marketing teams who want to tell you all of the selling points of the different products on the floor, but it's really nice to meet the other users who are working on similar projects and in similar pipeline structures who can tell you about their experiences. Ko Maruyama |
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Ableton Live 7 I'm sitting in a studio with Metier Music musician Josh Falcon getting the walkthrough of Ableton Live 7 on a Mac. Now I know how all of those graphic producers feel when they say they want to try lean over and draw with the stylus. Ableton has added features to Live 7 that make it fit just as easily into the video studio as it does on stage. Ko Maruyama |
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NAB 2008: Panasonic's new AVCCAM camera to capture to SDHC cards Panasonic, always on the cutting edge, unveiled its new AG HMC 70 camera at this year's show. The HD camera shoots 1080 to an SD card. Panasonic's Robert Harris took me through the process and discusses its AVCCAM format. David Basulto |
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NAB 2008: Iconix goes 3D At NAB 2007 I covered camera maker Iconix's new micro-sized camera. Since then the camera has been used on many films and television shows. Why? Its size. The camera literally fits in your hand and can go where no camera has gone before. Ok, enough of the Trekkiness. David Basulto |
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3Ware Sidecar The sidecar RAID from 3Ware isn't new gear featured at NAB this year, but with the advent of more and more high definition resources and 2K+ video, every Mac editor and/or compositor will have to look at the different solutions available to store and access all of those gigantor elements. It's not just about storage, its about bandwidth too. Ko Maruyama |
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NAB 2008: Artbeats Experts At NAB there are many who attend to look for footage, and I couldn't really figure out why some footage vendors were in one spot, while other vendors were in another, but my favorite resource, Artbeats, was positioned nearby Adobe's and MAXON's booth, making them a very obvious vendor to visit. Ko Maruyama |
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